An Ode to Feet

While sitting in a hotel in Washington D.C. waiting for rain to let up, I found myself thinking about my feet -- prompted by yoga and an old photo. And it became my October column for EVM:

Not long ago I ran across an old photo – dried out on the edges, decades before digital – that I’d taken of my own feet.

I remember the moment: I was lounging uncomfortably by an algae-infested pool in a nearly-derelict motel in a seen-better-times town in the redwoods. I was there with my then-boyfriend, a shaggy-haired Californian whose brothers had invested in the fleabag inn, the whole proposition spiked with other shadowy schemes like baggies of pot changing hands behind the tree trunks and afternoons in a mescaline haze.

I was not hippie enough for the scene, feeling my worrywart Ohio roots, a kid up for adventure but fretting about the consequences. I didn’t feel at home with any of those beatniks and they knew it.

So I stationed myself by the only square of honest daylight I could find, where the trees had been cleared to make way for the pool, and I painted my toenails bright red. My camera a reassuring straight girlfriend, I took a picture that grounded me, literally, in an uneasy moment. My feet I could call my own – my body my own territory.

I empathize with that momentarily alienated young woman, finding temporary solace in what she could see and stand on.

Now, of course, the photo also carries an inconvenient reminder: those are young feet, not the bunion-bent, calloused dogs I’m walking around on now. As if I didn’t already see it every time I look in the mirror, the photo is evidence – time marches on.

But I appreciate the feet I have, even today.

It’s odd, isn’t it, to have these protuberances so far away from our eyes, these odd bony tootsies we have to encase in cotton and leather every day to keep us moving through the world?

They are remarkable. Each one, a quick Google search confirms, has 26 bones, 33 joints, 107 ligaments,19 muscles and 19 tendons. They can saunter, jump, run, dance, twist, turn, grab, slide, and even moonwalk. They respond hilariously to tickling and sometimes, despite their silly appearance, participate in, um, the occasional ménage a paws. (Stop groaning --I’m trying to protect the children).

Some people are ashamed of their feet. In yoga class the other day, where bare feet are required, a newbie said, “I’d rather not” when the teacher sternly ordered off the socks. She gave her a one-class pass, but we know she’ll eventually have to give in – we all do, unmasking our pale and naked soles.

My feet have long simian toes – both of my husbands claim – not at the same time, you understand, that I could play piano with my monkey feet. Until my inherited bunions made both big toes crowd into the others, I liked how my feet looked, the only place in my otherwise zaftig architecture you could find a touch of svelte legginess.

Most of my life I’ve simply taken my feet for granted, unless I stoved a toe into a bedpost or stuffed them into ridiculous high heels.

It’s only since yoga came into my life that I’ve come to bless my feet. There’s a pose called tadasana, the first step toward the standing poses that I find very challenging. Basically you stand up straight, your legs together and your arms stretched out, palms facing outward at your sides.

It seems like a simple pose, but like so much in yoga, it isn’t. There’s the whole question of balancing the feet. Spread out your toes, Rachelle orders. Balance the balls of your feet! Place your weight evenly on your heels! Be aware of the outsides of your feet! Roll your outer ankles in!

Her steady stream of pelted imperatives mystified me at first. My ankles have an “outer” and “inner” to think about? I have to spread my toes from the outside in? I have to care about those fleshy mounds behind my toes and find an even balance?

Tadasana, so seemingly elementary, still sometimes drives me crazy. I lean invariably to the right, my left foot refusing responsibility like a lazy teen. My weight wants to go to the balls of my feet, my heels gliding up as if ready to pounce – or keel forward.

But one day I started to feel the power in my feet – the remarkable, utilitarian beauty of the body’s design – the possibilities to anchor myself, feel myself grounded, deeply, to the earth.

The first time I felt it – energy arrowing from toe to brain, a flash of love and solidarity, I actually teared up. I could feel my body and mind finally, affectionately, strongly connecting.

I went to the foot doctor, who treated my mangled arches like ladies-in-waiting and started me on the road to better metatarsal health. And when I stand up now I salute the way those many bones and muscles work together. I take tadasana with joyful and attentive gratitude.

So, my feet waited a long time to be acknowledged since that poolside moment in the redwoods. Apparently it’s not too late to cultivate – okay, I waited until the end to say it – a good understanding. Getting old, a person needs to stand up to the world, to the world’s assaults. That begins, it turns out, with those funny looking kids at the end of the legbones, Thank you, feet!

On the Pacific Rim Thinking About My Mother, Again

It feels important that she would have been 100 today -- that a whole century has passed by since my mother's birth. She was proud of sharing this day with Beethoven. She was a fighter of sorts when I think of her now, a tough little bird in her later years, never quite happy enough with life, often clearly disappointed by how things were.

And today I flew into the ether from ice and snow to the liquid blue of the Pacific Rim, again -- for probably about the 50th time in the last ten years. My cross-country life continuing, this time I come into it at a moment of confounding crisis and frustration, and I wonder what my mother would have made of this life of mine. I never thought much of her advice; I know she loved me, loved me with an ambivalent ache; was envious of me; found me "provoking" and loved me. When I was 40 and in a difficult relationship that was already beginning to end, I stood in my brother's large shower with my mother sitting haggard and naked in a plastic chair -- we were both naked and it was the only way we could think of to safely shower her. The blessed water streamed over our two bodies, our shared blood bodies, and in the extremity of the moment, a moment of her own extreme vulnerability, she gave me one of the most important gifts of our life together. As I washed her body gently, my own heart wrenched with her weakness, her poor bony body on its last months, she looked at me, her daughter, and called me by my name. She said, "You have a beautiful body. I hope your husband loves your body. I hope your husband appreciates your body."

We were not a physical family. Our religion made us suspicious of our bodies' mysteries, and our bodies were often problematic to us. We didn't dance. "Premarital Sex" was one of the cardinal sins -- and I grew up to both crave and suspect my body's ardors. We were not a family who called each other "honey" or "darling" or "sweetheart." My mother never used those words for me, and I sometimes wish she would have -- I needed her tender love more than I knew. But that day in the shower what my mother said touched me, and I've cherished it ever since. She, who made my body and gave me life, loved what she saw, even as I struggled into middle age. As it turned out, I needed that love, and on her 100th birthday, I need it still. And love her for loving me -- incompletely, raggedly, but always passionately. She was not an "adequate" mother -- she left me unfinished and full of doubt and lamentation. But she gave me enough, and that day in the shower, her love was perfect.

The Next New Thing at Airport Security: Palms Up

The two men in blue gloves, sort of kindly jocular but serious too, pull me off the line and say, “excuse me, ma’am, we have to check your hands.” “This is new,” I say, curious but there can’t be any joking, not even an evident curiosity, not even the slightest question, so I quickly divert my eyes and fix my face not to reveal itself, its interest in the notion of putting my hands out, palms up, to strangers. I think about how I think I look – clearly a 60-year-old woman, with gray hair at the roots, my hair pulled back; I’m wearing my black tunic with rainbow embroidery on it and my black yoga pants underneath; I’ve dressed for comfort in coach, but I’ve also picked my clothes to feel like “me,” like this woman who travels, who’s kind of interesting. I’ve got my favorite California necklace on, a circle of reassuring polished stones, with earrings to match, and I feel earthy and seasoned. Anyway, they make me reach my hands out, palms up, and one of the men brushes a brush over the soft pads at the base of the fingers, the crease of my lifeline, a brush attached to a tube attached to a machine. For just a moment there’s a weird intimacy, the palms of my hands, the two men, the machine – and I stand there and they turn their back and look at the machine. “It just takes seven seconds,” they say, like when you get a mammogram, like when the kind woman ducks off out of the room to avoid the radiation and you have to hold your breath and you wonder if there’s something dark and scary inside your most beloved part, the part that never got to suckle a child but that your husband loves and says so often, and then the machine stops and she says, okay, and comes back in and takes off the plates to see what’s there, to see if you moved and your breast left its mark or if you maybe moved and there’s the slightest blur, the blur of your body saying, no, no, don’t know this thing about me. Anyway, the seven seconds go by and I’m standing there with my arms still raised, my palms still up, and I'm balancing on my whole feet, the way I practice in yoga, feeling my toe mounds and my heels solid against the floor, grounding themselves and my chi or whatever you call it right down into the earth's core, and then the men say, "Okay, you’re okay," and I put my palms down, wondering what it would be like to have a bitter explosive on my skin, sabotaging crystals, instead of just the anxious pink airport soap and the knowing epidermis of my whole beloved life of touching and holding things and I head to Gate 2 and my next short-term escape.

Wrath and Headstands for Surviving Life in Flint

Here's my April column for East Village Magazine. I'll be reading with Grayce Scholt and Kelsey Ronan at 7 p.m. Tuesday, April 13 at Flint's Longway Planetarium in the final "Poetry Under the Stars" reading, and then with four other EVM writers -- Grayce, Kelsey, Alan Mathews and Nic Custer -- at Buckham Gallery on Saturday night, May 22.

This morning, as an experiment, I said the word “wrath” out loud to my reflection in the bathroom mirror. It’s an interesting word. I noticed how in saying it, the mouth has to open, pushing out to the left and right, and the teeth show. “Wrath” on a face looks primitive and a bit scary.

And primitive, indeed, is the flavor of the arsonists who are torching houses in downtown Flint as I write this. And primitive indeed are the people yelling “baby killer” at Bart Stupak , and primitive indeed are those yelling “faggot” and “n***r” at supporters of the health care reform bill.

I’ve been considering anger a lot lately, having recently experienced a personal tsunami of this most fiery of the Seven Deadly Sins.

Lately, in a discussion about legalizing pot, Bill Maher said something like, “This is a tense world. It’s stressful to be alive. We need something to mellow us out once in awhile.”

Aside from Maher’s specific campaign, I found his comments touching and true. It’s tough being a human being. And the price of mounting tension seems to be wrath and more wrath, increasingly less modulated, increasingly mean.

I must admit that things don’t seem as clear-cut to me now as they once did.

Wrath, for instance, isn’t always purely primitive. There’s a mature kind of anger, the result of real injustice, that demands action, as in the abuse of children, women and animals, and the visceral energies of rage help us carry out what needs to be done, the way people in Carriage Town have united to try to stop the house-burnings.

For me, though, the hardest kind of anger to manage is the “helpless” kind, when I experience the results of something that seem outside of my control. A body in the throes of that kind of wrath, untended and misunderstood, causes so much havoc.
That’s how I’ve been feeling some of the time lately, and I have been exploring what to do. Obviously, some things that make me angry are so big that I don’t know where to start. But within the life of my individual body, I’m finding some intelligence, and a few surprises.

For example, almost every day since last fall, I’ve been standing on my head.

As often as possible, I roll out a blue mat, take off my rings, pile a soft pillow against the wall, cradle my head in my entwined fingers, and kick up my legs.

It’s part of my relatively new life as a yoga student, and I’m immensely grateful. Things look different when I’m upside down.
I’ve brought the headstand home from my yoga class at the UM – Flint, where with about ten other people I show up twice a week, seeking deep relaxation and meditation.

It starts at the moment of arrival, when we leave our shoes on a mat outside a nondescript door.

Inside, in a windowless room with bright murals of green trees, sky and water painted on the concrete block wall, it’s so quiet. And quieting. It’s a gentle and respectful group, everybody sensitive to others’ space as we adjust from whatever happened that day. Some people lie on their mats, legs up against the wall, eyes closed, arms relaxed at their sides. Others sit cross-legged, backs straight, breathing. When our teacher, Rachelle, comes in, we settle down, facing her as she begins in her melodic voice.

She says “sit tall,” suggesting that we unfocus our eyes, close our lids, and bring our palms together at our hearts. We inhale. We exhale. We chant slowly, beginning with a full-throated trio of “ommms.”

I love the chants. I don’t know what the words mean, and to be honest, I don’t always get them right, so I just mumble along. I’ve thought of asking Rachelle for translation. Since I’m a writer and college teacher, you’d think I’d need to know what everything means.

But yoga class is a place outside the analytic brain, and my body, which isn’t so much of an intellectual, gets what it needs. My body likes rhythms and the humming voices of others in the room, a lovely vibration, a loving energy.

Yoga is a Sanskrit word for “union” – combining breathing, stretching, balancing, and meditating as an integration of mind, body and spirit.

The poses are often hard and sometimes hurt. My hamstrings are a mess: tight and feisty. I get cramps. I fall over almost every time I try to do a shoulder stand. Rachelle says instead of calling it pain, we might say, “that’s interesting” and just keep breathing. She’s re-introduced me to my feet, their clever metatarsals and their horseshoe heels – all meant to anchor me solidly in the world.

Sometimes, at the end of the class when we lie recovering in the darkened room, I feel tears of relief well up.
It’s all quite un-Protestant, and I like that. In my anxiously fundamentalist childhood, the body was, of course, described as the “Temple of God,” but I didn’t get much help on how to make it so. The adults in my life were ill at ease with their own bodies, startled and discomfited when the body’s instincts – lust, let’s say, or especially wrath – outed them as actual humans, earthlings to the core.

To be human back then was to struggle with the body, an exhausting wrestling match with guilt, shame and defeat. To love the body, then, was to sin.

It is a lifelong journey, of course, to learn another way – to know that loving one’s whole self is in fact a key to getting through this bumpy life. I am grateful for practices such as yoga which ground and soothe me, open me to others and help me face adversity. I am grateful to Rachelle and my gentle yoga classmates.

If I am to survive in this raggedy world, in short, I need to learn to unite my disparate parts. Among other gifts, that helps me with my wrath, which really serves a purpose. It is not in fact, a deadly sin, unless it curdles into something unexpressed, misdirected and stuck in fear. I’ve come to respect my wrath and even welcome its abundant energies.
So now, to the wall, to upend myself into love and energy once again.

On the other hand

...Anger is a powerful physiological experience, as I've been experiencing. Adrenaline, I've been telling myself, is there for a reason: to propel fight or flight. As always, the conundrum is this: What does one do with the instinctive energy of fight or flight in a supposedly civilized world? In a fresh bout of sleeplessness which I fully understand -- kept awake by adrenaline -- I devise one scenario after another. Some for revenge. Some for justice. Some for escape. Some for vindication. Whatever, my body is sending me an insistent message: DO SOMETHING. Interesting how the body is programmed for adaptation. It knows when it is threatened, attacked and insulted. It knows what to do: flood the system with energy. And here I am, rooting around in a mucky pen of passive aggression, bullies and a distorted template of anachronistic noblesse oblige. Move, move, my body says. I'm appreciative that my body has its ancient human responses. I just have to figure out how to make it work for me. Could righteous wrath be the fountain of youth?

Sixty

...For about three weeks now. Apparently there's nothing to be afraid of. Today, back from breakfast at the usual joint with 3/4 of the commune (the majority caucus, as "Teddy West" calls it) I meditated. On the coldest day of the winter so far, the sun through the southern exposure upstairs window warmed my forehead, that Third Eye chakra, and then I wandered downstairs and did a headstand on my new yoga mat, getting up to the wall on only the second try. Counted deliberately to 120, breathing from the diaphragm. Tried to hear my yoga teacher's voice urging the shoulders to take more of the responsibility. Couldn't remember which way is "up" for the shoulders in this pose.

Stretching, breathing, extending, bending...my body and I communing. It has been a long time coming, far from the stiff Ohio of my youth.

Later, a long Saturday walk, the sun of the morning's meditation long obscured behind thick clouds. What IS this universe, anyway? What IS it, going on and on out there forever? Sometimes I think it's the body of God, and we are tiny mitochondria in miniscule capillaries.

The photo above, ice on Cadet, on the curve to Pierce Park that feels like a little woods, a little country road in the middle of town. The essence of this time of year in the Midwest, brown, stripped down, tight, chilly. Poetry weather.

The Clock is Ticking

I'm taking a deep breath as the last hours, last minutes of my fifties slip away. For some reason, it feels both melancholy and surprisingly hopeful -- an occasion worth observing.

Our lovemaking last night was something special -- the connection between two old dogs -- I'd like to say, two sweet old dogs, who know each other very well and have been through some rough times and come through a little bit scarred, but with our gratitude and humor sharp in equal measures. We took a shower together, gently soaping each other up, well aware of our flaws and the niches, aches, wrinkles, bumps and lumps of the bodies we still manage to love. Because these are the bodies we have. And they still ache with surprising desire -- earthy and persistent -- more than you'd think, really, for a couple of old dogs.

I'm now the oldest woman my husband has ever made love to -- by many years, actually -- and he claims that he's looking forward to a continued erotic life with a woman in her sixties. With THIS woman in her sixties. This is, to be sure, uncharted territory for us both.

And today, a long walk through the neighborhood, and I found myself saying, "this is the last walk I'll take in my fifties" and now it's getting ridiculous -- this is the last blog I'll write in my fifties, this is the last cup of herb tea I'll drink in my fifties, this is the last time I'll pee in my fifties, this is the last time....okay, I'll stop now.

Curled in spoons after lovemaking last night, we talked into the almost dark, golden light of two vanilla candles, about how getting old requires finesse. The fear always lurks, a sharp-horned little gremlin -- the inevitable end ahead and god knows what will come between now and then. So we pledged to be happy, to choose to be happy. To not die until we die.

So, here in the last 170 minutes of my fifties, I say, "I'm happy." I am happier tonight by far than when I turned 30, and 40, and 50. I'm proud of that. And relieved -- that my life has taken me to this happier place. Tomorrow, when I'm 60, I'll get up with my husband and pet my cats and go to breakfast at my favorite spot and wander around at the Farmers Market and get together with our friend Teddy and hang out and gossip and dish about UM politics and the sorry state of the world, and tomorrow night Ted and I will go out to dinner together and then to "Hair," a frivolous little trip into nostalgia and we'll come home and find our way back into our happy bed and life will go on, as joyfully and for as long as Fate permits. And so tonight I breathe deeply, from the diaphragm, composing myself, and tuck away, at least for now,l the fear.

Harmony with the Body at Last

What I like about Tai Chi and yoga are that they're so not-Protestant. When I grew up there was talk of the body, but it was all suspicious and guarded -- the body was a foe, a problem. Rhetoric repeated endlessly that our bodies were the Temple of God but I always felt as if that meant I had to watch myself...the body certainly wasn't mine.

It has taken me my whole life to begin to experience some harmony with my body. I'm very grateful for the lessons of this last year -- for the wonderful tai chi classes this summer under the giant fig tree in LA, and now the Monday and Wednesday night yoga classes at UM - Flint with Rachelle.

On Coming Back to Life at The Pacific Rim

"poof!"

"The Pleasure of Doing" -- from The Elegance of the Hedgehog

I'm enjoying Alison Anderson's translation from the French of Muriel Barbery's charming bestseller The Elegance of the Hedgehog. In Chapter 18, the book's cranky yet vulnerable main character, a widowed concierge, is remembering a scene in Anna Karenina when an aged Levin is scything, at first awkwardly and then, as he works up a sweat and moves through his exhaustion, "his painful gestures become more fluid." Here's the lovely passage that follows:

A welcome breeze suddenly caresses his back. A summer rain. Gradually, his movements are freed from the shackles of his will, and he goes into a light trance which gives his gestures the perfection of conscious, automatic motion without thought or calculation, and the scythe seems to move of its own accord. Levin delights in the forgetfulness that movement brings, where the pleasure of doing is marvelously foreign to the striving of the will.

This is eminently true of many happy moments in life. Freed from the demands of decision and intention, adrift on some inner sea, we observe our various movements as if they belonged to someone else, and yet we admire their involuntary excellence. What other reason might I have for writing this -- ridiculous journal of an aging concierge -- if the writing did not have something of the art of scything about it? The lines gradually become their own demiurges and, like some witless yet miraculous participant, I witness the birth on paper of sentences that have eluded my will and appear in spite of me on the sheet, teaching me something that I neither knew nor thought I might want to know. This painless birth, like an unsolicited proof, gives me untold pleasure, and with neither toil nor certainty but the joy of frank astonishment I follow the pen that is guiding and supporting me.

Here's to scything and writing -- the pleasure of doing.

Adult Domestic

This may sound odd, but...I'm trying to grow up. The events of the past six months of my life plunged me into a strange new life cycle, in which in fear and panic I regressed and almost collapsed, the architecture of my self seriously compromised. The near loss of one's self is an extreme and frightening thing. If one makes it out of the tunnel alive, as I did, much is changed.

I was just standing out on the back porch in the last light of this gorgeous spring day and thinking something like, "I'm experiencing this differently." The air smelled good. I heard the robin doing that bubbly melody in the mulberry tree. The sky, deep blue overhead and lighter, cerulean behind the western line of roofs and budded-out maple trees, filled me with gratitude. I've seen it all before, but somehow I'm different now; a certain doubt-filled anachronistic naivete and denial has leached away. The words to describe it aren't coming out right; there are poems to be written about this eventually.

Another, similar moment. Today I was out in the front yard, raking. Since we bought this house I've hesitated to bond with it fully for some reason, and that means I've almost never treated its yards, front or back, with the proper care, leaving the mowing and snow removal to a GM retiree who'll do everything that needs to be done for $25 a pop here and there. But today I was raking it myself, systematically and serenely making little piles of dead grass and sticks, leaves left from October. Putting them into the big brown lawn bag, bending, breathing, raking. It felt like an adult thing to do: taking care of my own piece of earth, doing what needs to be done. Most of my life I have not felt like an adult, for whatever reason, as if I didn't have what it takes, couldn't make a convincing case that I met the criteria. But today, raking quietly in the April sun, my life re-arranged by crisis and recovery, I felt peacefully, tentatively whole. Quietly, unsensationally grown up.

Metamorphosing in My San Pedro

Yes, we are. How can I not be at least a little bit in love with a place that advertises itself this way? This is at the grandly named "Galerie d'Arte" near the foot of Gaffey Street, across from the Korean Bell. it makes me smile.

And the sign suits the flavor of this visit, during which I've attempted to seal the deal with my recovery, taking long daily walks, getting lots of work done, eating right, breathing the therapeutic sea air, preparing for the next set of adventures, whatever they are.

Today, I sent out a packet of poems -- the first time I've done that in ages -- to a magazine that still won't accept electronic submissions. There was something nostalgic and comforting about printing off the poems, enclosing a simple little cover letter, and enclosing an SASE. Just like the old days. It's nice to retreat to something that hasn't changed: the mechanism for sharing an old, enduring devotion...an act of hope.

Here, then, is a salute to the restorative effects of my spring break in San Pedro and, for all of us, a life of robust and creative transformation.

5 a.m. is getting better

A dear friend with expertise about sleeping explained to me lately that there's such a thing -- natural for people my age, and in winter -- called "second sleep." The idea is that you sleep deeply for a few hours of the night, then naturally wake up, get up and do some chores, and then go back to sleep when you're sleepy and enjoy a few more hours. Lately this seems to be working for me as I slowly recuperate from my long fall and winter when my body's immune system got so discombobulated and off balance. I am training myself in new habits, among them reframing the nature of my sleep routines.

There's a trick to it -- the creepiness of lying awake in some of the darkest hours, listening to the inventory of ghastly news on the BBC, and wondering endlessly "why I can't sleep" is replaced by something pleasant and, one could say, "normal." When I get up at 4 or 4:30 or 5 I microwave a glass of soy milk and sip it slowly, enjoying its calming warmth. I listen to the furnace. I sometimes check my email. I've written poems (perhaps this is how my friend Greg Rappleye came to call his wonderful blog "Sonnets at 4 a.m.") and worked away in little leisurely bursts at various projects.

And I've returned to bed when I'm ready, grateful for Ted's warm body. I'm lucky that my schedule allows me to sleep until 8:30 or so in the morning, so it's quite possible to get several solid hours of "second sleep."

I like this new routine, which takes the fear and angst out of not being able to sleep. Perhaps, in other words, there is a natural rhythm to it, and not simply an endless cycle of angst and despair. Looked at this way, 5 a.m. is not so bad. In fact, I am beginning to look forward to these quiet hours. Why should 5 a.m. have such a bad reputation?

Two glum poems from a hard winter

Perhaps the entry below will explain the sinister tone of these verses.

1. Winter Solstice, LA: Arrival

It’s dark here too, but wet--
harbor lights oily and only
someone else’s news.
I’m sick,
panicked from
the claustrophobic flight, sinuses
squalling and squirming
like preemies -- no, like
poor harridans shriveled and brittle in
wheelchairs in a hospice ward.
Enough of that. Black waves spread out
in waning moonrise.
I missed full monty, and what’s left
Is less, is less, a lunar solstice
cringeing into soggy waxen dawn.

2. Coming Home: "Light Chop"

...the pilot says, dry and neutral, businesslike
as puffed up little bags of peanuts jiggle
on a flight attendant’s tray. Things change:
the Continental Divide’s the culprit, wreaking
waves on earth’s upheavals
and, six miles high my body's fill of air and water
settles toward my feet, ankles bad balloons wanting
a joyless drift to land. My ancient heart
flutters, querulous. (I use a fancy word
to soothe my fear) as clouds rise up and bump us--no,
we are going down into all that cumulus like
a congested head, sliding into a sinus infection
we call Detroit, just a light chop, he says,
to get us drained all out on frozen ground.

From Ted to Tonga

It's beginning to creep me out how many of my blog entries start with, well, the aging body and its ailments. One hopes the writing doesn't stop there -- one hopes this seemingly inevitably burgeoning body of material (so to speak) will lead, like all decent material, to other considerations, deeper understanding, connections to others, and humor (okay, wry, dark and absurd).

Well, here's another one. It starts with Ted's colonoscopy last week and takes me back 32 years to Tonga. It turns out this potent life experience of mine, that intense two years in the South Pacific, is not so far in the past after all.

I was sitting in the endoscopy waiting room at Little Company of Mary Hospital in Torrance, waiting for my husband to wake up after his procedure. I'd already had the pleasure of regreeting our ace colonoscopy doc, Oren Zaidel, who came out and cheerfully said, "It's nice to see you on this end of things!" Must be hard saying anything that's not a double entendre in his business, but who doesn't need a chuckle when skimpy smocks, exposed derrieres and long tubes are the order of the day? Anyway, Dr. Zaidel said my beloved had done a fine job of cleaning himself out (this is the kind of thing that gives us oldsters a renewed burst of self-esteem). He said Ted had one mere polyp and was blissfully sleeping off the blessed dose of demerol.

I settled back to read my New Yorker and check out the others in the room: a sweet, fretful silver-haired lady , whose befuddled husband was being admitted after his test, a trio of 30-somethings waiting out their father's procedure -- they looked upwardly mobile and were chatting alternately in Spanish and English -- a bilingual virtuosity I greatly envy. And then there was another couple -- a honey-skinned, stocky duo, a man and woman who looked to be in their 40s. I wasn't paying much attention until I started recognizing a word here and there: "Io." "Ikai." "Mahalo," "Oiaue," I once knew that vocabulary well: it was a language I once adored for its delightful blend of consonants and sliding, sensual vowels. They were speaking Tongan.

In Michigan there aren't many Tongans -- and I hadn't heard the language spoken by a native for years. At first I simply sat back quietly and took it in, my memory rushing back to 1976, when I first landed in the overwhelmingly exotic and noisy Kingdom and tried to make sense of the language while surrounded by it. It was an exciting, infuriating and deeply satisfying time. Finally I couldn't resist.

"You're Tongan!" I said. They looked up mildly and said yes. I quickly spilled out a bunch of commentary -- how I had been a Peace Corps volunteer long, long ago, and how I loved the language though I'd forgotten it all, how I was deeply changed by my two years in their country, how I met my husband there, how I still dream about it from time to time, blah blah blah.

I am such an American, always talking, always talking about myself.

The two sat quietly, smiling. They said they had left Tonga after high school, 17 years ago, and had never been back. They said yes, they'd heard about the riots and fires in Nuku'alofa, the capital city, two years ago. They said they liked the U.S. better because, the man said, after all, Tonga is just a little island and there isn't any opportunity. Eventually they told me they were Mormons -- not a surprise, considering the long-standing influence of Mormons in the Kingdom.

I continued my Yankee gushing. I said how much I loved the Tongan proverbs, and managed to spit out two of my favorites: Longolongo pusi kai moa (It's the quiet cat that eats the chicken) and Kai lu fa ihe tu'unga u -- Eating the "lu" (a Tongan delicacy, a sort of coconut and taro leaf tamale) found by surprise in the pit after the feast. That last one stands for serendipity and plucky hope to me -- you never would have guessed there'd be anything left in that pit, but you looked anyway and eureka! Food!

The woman smiled again at my probably awkward pronunciation and repeated both proverbs. She and the man exchanged a few phrases in Tongan. Then I babbled what a beautiful country they came from: how I'd gone up to Vava'u, one of the northern island groups, and loved it. How I'd hitched a ride on a boat to the islands of Kao and Tofua. They admitted they had never been to Vava'u themselves -- nor Kao or Tofua -- that they stayed close to home on the main island of Tongatapu.

Then, in a classic Peace Corps conversation, the woman and I determined that we had lived within blocks of each other, and that she not only knew my Tongan father, Sione 'Osamu, but vividly remembered him and his kids in Ma'ufanga, the neighborhood where I lived. I mentioned the crotchety grandfather, Pasikala (Bicycle). When I said "Man, that guy didn't like Americans much," the woman said "Don't worry -- Pasikala didn't like anybody."

I explained my husband and I had met on New Year's Eve in 1976 at the King's palace, and the two murmured pleasantly. Then I remembered I had a bunch of Tongan kava music on the very laptop I was toting, and within a minute I had opened iTunes and had the sweet sounds of Tonga filtering into the overly warm little room.

"See?" I said. "See how much your country still stays with me?"

The man and woman continued smiling, and in the Tongan way, maintained a dignified reserve, declining comment -- never volunteering their names or many details about themselves. Certainly I would not press: that would be rude. I began to feel like a big floppy dog, so happy to be talking about Tonga, but after all a little bit embarrassing. But one never knows. I hope they found my interest entertaining, at least. Who knows what they think about their little South Pacific homeland? Who knows what they think about Peace Corps? Who knows why they have never gone back, or how hard their life in LA might be? Who knows if they've experienced racism or poverty? A whole vast set of possibilities remained unsaid, and an old, familiar Peace Corps guilt crept in. I remember how one of my Tongan colleagues used to make fun of the U.S. volunteers -- noting that all we wanted was a little hut and a black British bicycle -- naively ignorant of how VERY dissatisfying those minimal expectations were to the Tongans themselves, who wanted concrete block houses, big cars and, in many cases, an escape route out of there.

Eventually somebody came and told me Ted was ready to go, and when I said, "mo nofo a, eh?" (you two stay, right?) the two smiled even more broadly and said, "she remembers" and answered "alu a, eh?" (You're going, then?) and then there was Ted, upright and only a little discombobulated, and we went out into the rainy LA afternoon in a present that was rich with the past.

"What is left is undetermined but I'll do fine"

First day off the Levaquin, and I'm hopeful I might get a night's sleep. I feel fairly "normal" tonight -- grateful I'm off the drug that seemed to hit my body hard. I have felt old and creaky and dispirited. In the meantime, I am off all dairy foods, have lost about seven pounds (which I needed to lose) and have been reminded yet again of the fragility of the body.

Classes are over and I'm almost done grading, so this blessed evening is proceeding with the glow of leisure that I haven't been able to afford for weeks -- months. The cats have been especially affectionate, Joey II particularly, with a loud purr as he settles into my lap. I'm watching "I Am Legend" except for the bad parts when I have to look away, walk away (and now I'm putting it on mute altogether, and the caption says "ominous music playing," a measure of serenity being the goal of the evening.)

And speaking of a return to innocence, earlier today, I actually finished reading a novel, the first one in ages I've had time to read -- Jim Harrison's The English Major. While there's something a bit lightweight in his easygoing prose and ambling narratives, this story about a depressed 60-year-old Michigan guy, a farmer and one-time high school teacher who travels from state to state after his wife dumps him, well, it was just what I was in the mood for. Harrison's vitality and love of life's sensual pleasures -- the good food, the good wine, the de rigueur humorous Harrison sexuality (his guy Cliff clearly is a "butt man" in this novel) -- make for enjoyable reading on a winter Saturday. I think it's interesting his protagonist is essentially a naif, yet manages to eat and drink very well thanks to his gay son, go-getter realtor ex and boozed up physician friend A.D. Yep, this is what every 21st Century English major needs -- lord knows the "free market" ain't coming through. Good Read

After his car dies -- conveniently after he arrives at his son's lavish accommodations -- the boy signs over an SUV, with Onstar and everything, for the rest of the journey. And his ex, who'd left him for Fred, a gold-digger they'd re-met at their high school reunion, eventually sets him up with a property that once belonged to his grandfather. He's a Luddite -- flushing a cell phone down the toilet in one satisfying scene -- and aches for a return to Eden.

And he gets it -- is given it -- not by striving, but by his ex-wife's potty-mouthed pragmatism. Does she still kind of like him, and his Emerson- and Rilke-quoting ways? Once resettled, he goes back to work on his big creative project: renaming the states and the birds of North America. (For the record, Michigan is Potawatomi, California is Chumash, and Ohio is Wyandot. The brown thrush becomes the "beige dolorosa," which I really like, and the robin is renamed "Rubens").

Hmm...is this the Baby Boomer man today -- his "noodle" still frisky and his expectations scaled down to a good dog, a good meal, a twiddly-wink bit of whimsical work, and some lucky tenderness? It's a gentle tale, and it's nice when a story ends with "This won't be a bad life, I thought happily. What there is left of it is undetermined but I'll do fine."

Up Early

So, what are the benefits of sleeplessness? I've been up since about 5:30 a.m. -- and I'm NOT a morning person -- probably the side effect of the powerful antibiotic, Levaquin, I've been on for the past nine days. It's clearing up my two-month-long sinus infection, but has its cost. I'm grateful for this drug but really wouldn't mind a decent night's sleep. Before Levaquin, I'd also been having trouble sleeping, as I've amply noted here, partly due to recurring congestion and trouble breathing, and now I'm at least getting through the whole night (or whatever part of it I'm asleep) without producing a damp mountain of kleenex at my bedside. (The kind with Vicks and lotion is my favorite -- addictive comfort.)

In the meantime, is anybody else finding it almost impossible to listen to the news these days? Just a few of the items barraging the airwaves: more elephants being slaughtered for ivory, the Tribune Company filing for bankruptcy, the Baltimore Opera going bankrupt, a fiery jet crash killing three in San Diego, worsening strife in Zimbabwe as a cholera outbreak kills hundreds, workers sitting in at their factory at Republic Windows and Doors in Chicago, the housing crisis hitting hard in Nevada, the auto bailout triggering hours of hot air, jobless numbers abysmal, and snow and sleet predicted -- again -- for my neighborhood this bleak December day.

I find myself simply turning off the stream. Stepping out of the river. Clicked off the TV last night during the elephant segment: I couldn't stand one more second of the horror of the piles of immense, brutalized bodies. Turned off NPR during the Zimbabwe report, even though Jimmy Carter's voice -- the true Christian, one of an international group of peacemakers called "The Elders" on the scene -- provided momentary reassurance.

So, I ask myself, contemplating my wakeful healing process, what is good about all this?

First, of course, I am lucky there are drugs that help. And I'm especially lucky I have health insurance to help me buy them. I'm well aware others are left hanging out there, unable to afford care. Isn't it time our society figures out universal health care? (Note to readers: Watch Sicko again: the Brits, the Canadians, the French all get it...why are we so doggedly compassion-challenged?)

Second, it is good to be alert to the world. Morning Edition has been running a series called "American Moxie" and I find the stories inspiring and encouraging. It takes moxie to get through this life. A galvanizing reminder.

I'm reminded of a time in my life when, mired in emotional pain as I left my first marriage, I tried to get my therapist to prescribe me a tranquilizer. She refused, contending that in my case, I "needed to feel" what I was going through. I never forgot her infuriating wisdom. In that instance, I believe she was right, and I'm grateful she was there helping me navigate those rough seas. By paying attention, by letting my body and mind deeply experience all the grief and doubt, I somehow began to heal and hope.

But now it feels as if the whole earth is quaking with troubles, and I find myself muttering, damn, let's just prescribe anti-depressants for everybody: drugs all around, Prozac on the house!

But it's not a time for somnolence. We need to keep our wits about us, and like those employees refusing to leave Republic Door and Window, we need to stay put, stay the course, feel what we feel, and let our resilience and dignity and hope help us find a way forward, looking for the open doors, making new windows to fresh air and blue sky.

Through a crack in the heavy green curtains here in my sitting room, a space I cherish and which makes me very happy, I see light is beginning to break. Time to feed the cats and start the day.

Awake after MIA

Yeah, yeah, I've been gone. Life is more important than blogging.

Last night I went to the Genesys Sleep Lab in West Flint for a so-called "sleep study," due to reports from my beloved that I was having occasional -- but scary -- apnea episodes. So I packed up my toothpaste and iPhone, donned my red flowered pajama pants and my Good Beans Cafe teeshirt (thanks StixDesign) and reported in.

Apparently a lot of people in Flint can't sleep. At the end of a long maze-like hallway in the dim afterhours clinic, I discovered I wasn't the only one. There were at least four of us last night getting electrodes pasted onto our anxious foreheads, chests, fingertips and calves.

The tech who tended me said she can't sleep either. She works 10 p.m to 6:30 a.m. every day, and goes home and sleeps through the day on the couch. She uses the CPAP machine, just like I might have to, depending on how I do. She looks forward to winter when the snow makes the world quieter; she lives close to a school and the children make a lot of noise. Sometimes she can sleep through it but not always. While she's watching the sleep subjects at work, she reads books and is studying for her sleep certificate. She was kind and friendly and was wearing a jaunty nurses uniform with Elvis Presley snapshots on it. "I couldn't believe it when he got married," she said, smiling. "My mom said, 'what did you think?'" She is 56 and remembers that moment vividly. She's been sleeping on the couch for six years, since her husband died. Back then she had to start her life all over.

I sort of started my life over at 50, too. The thought of that abandoned bed, empty from the funeral on -- a sad and poignant image. And understandable.

Lordy, the sleep lab felt like a cheap motel. Hard miserable pillows, a bad mattress, no art on the walls, a bedspread that looked like a reject from a hot pillow joint. How could a person, wired up like a weird Shiva, fall asleep like this? At least there was a TV with all the channels. The box of leads slung over my teeshirt, a plastic air fork in my nose, I watched Jon Stewart interview a strangely unfunny Steve Martin. Then the tech came back, turned off the lights and turned on the computer.

I felt momentarily claustrophobic and a bit nauseous, watching an orange light blink on the small plastic helmut on my thumb. It was strange thinking somebody would be watching me, listening to me, monitoring all my vitals, for the next six or seven hours. In another room, somebody coughed, and coughed again. She's worse off than me, I thought. I called Ted and said good night. It was our first night apart in Flint.

I muttered my mantra, a string of trusty repetitions, two syllables again and again, fighting off a wave of despair about my mysterious body, the way each of us is trapped in one body for life -- the same one, always the same and always changing, never quite telling the whole story. I appreciated the widow with the Elvis Presley tunic watching my heart rate and listening to my breathing and noting my brain waves, while slowly turning the pages to her sleep certificate textbook. it can take a lot to get through the night: last night, at least, neither of us was alone.

Dreamy After Glow and a Bougainvillea Dustup

Aren't those kind of cute, in a way? An earthquake one day and a colonoscopy the next have put me in a mild and mushy mood. Of course the Demerol hasn't worn off yet, but instead of lingering in grief over the loss of two polyps nice young Dr. Zaidel found and snipped off while I was in LaLa Land, I'll just say that it's rather sweet to be all in one piece in our little perch on the hillside stretched out under our new prism-striped bedspread listening to the wind in the palm trees outside we call Fred and Ethel. Ted is lying here next to me for post-procedure companionship, and we're watching CNN and PBS and bitching about everything. We love Gwen Ifill but can't stand Roland Martin. Tired of Wolf Blitzer's voice. Like Campbell Brown, and respect Gloria Borger. Tired of hearing about the earthquake. Etc. Etc.

They were playing old Rolling Stone in the procedure room. I commented on it and the friendly "butt tech" kid said, "would you like to voice a preference?" I muttered I didn't think I'd be awake long enough to enjoy it. At that moment I was cold with last second anxiety and wondering why there was a digital readout up at the ceiling that read 00:00. What was that about? Time stops during colonoscopies? I wish I'd said, like, "yeah, Nick Drake" or something just to be cool.

A person is not cool while naked on a padded gurney with her butt crack exposed to the long hose with a tiny camera on the end. Think there's a chance I could get that on You-Tube? I seem to remember saying "ouch," "ouch" a couple of times, but when I opened my eyes I was done and back in the recovery room, still on my left side, hearing a lady holler, "I'm going to die, I'm going to die." I don't know if she did but I didn't, at least not yet.

Anyway, back to our airy aerie. Just as we were settling down to wait for my sobriety, the neighbors on two adjoining terraces below us got into a dustup over their back fences: She, of a round little body and beatup sunhats and a wonderful little patch of tangled and overgrown melon vines, tomatoes, beans and corn stalks started yelling "I know what you do when I'm not looking! You fucking reach over my fence and cut away my fucking bougainvilleas!" He apparently made the mistake of calling her honey, which prompted a fresh streak of blue from said lady gardener. "How fucking dare you? Who do you think you are?" We couldn't make out his abashed response. Ted and I love this hillside. Fights over bougainvilleas...it just makes me happy. She has two little dogs and plays solitaire on a card table under a dilapidated lean-to at night. I'm on her side.

First food after getting home: a nice slim ham and cheese sandwich.

New info: diverticulosis. Oh, lord, didn't they used to make fun of that on Saturday Night Live? Well, there's a tradeoff: another disease to gab about at parties. BINGO! My body is gifting me yet again: woo-hoo! A new way to bore my friends and establish my creds as an old dame.

The only treatment, according to a damp little handout they stuck into my clammy palms: what my mother called roughage. I can't imagine that I haven't eaten enough roughage -- it was the central item on my mother's Ohio menus. All hail roughage.

Off to sink back into dreamy land to Jim Lehrer's comforting voice while it lasts...and then Ted and I are repairing to the Think Cafe up in the strip mall for lots of...roughage.

Monday Morning Aerobics for Gray Cells

Brain scientists say the secret of retaining memory, if I understand correctly, is to lay down deep paths in one's thick matter between the ears.

I'm trying to dig a deeper vein for two words I like and often can't remember for some reason.

Last week I couldn't think of the name for the red, orange, sometimes purplish flowers that spill over many walls and fences here in SoCal. All that kept coming to me was frangipani, a wonderful Polynesian word which is fun to say and anchored in my memory because, I suspect, it got anchored there during two very intense years of my life. Every time I asked my brain to locate the word for those flowers, it kept spitting back "frangipani, frangipani!" and I kept saying, NO, thanks for that word but that isn't it.

Finally, at an unguarded, relaxed moment the word I wanted popped out: bougainvillea! Whew. The same number of syllables as frangipani, but a different flora altogether. Bougainvillea! Above, courtesy of Google images, is the way they look on a veranda in Zimbabwe. There's a sweet word, by the way -- veranda. Sounds so peaceful and relaxing.

The second other word that often eludes me is the one for the chemical rush one gets out of, say, running a marathon, or, in my more geriatric life, getting to the local rib joint in time for the senior special. I think and think and think and finally, the word magically plops into consciousness: ENDORPHINS! Remembering this beneficent word gives me an endorphin rush. Now I'm ready to start my week, my personal lexicon spruced up. Bougainvillea, endorphins! Hooray!